And I thought, 'Wow!' And that gave me free range to go a little deeper, go a little darker, go a little more complicated. Could you just make it just a little more fucked up?' which is not a note that you get in Hollywood very often. I love these characters, I love these situations, but it feels a little safe. When I went to HBO and they had read my first draft and Carolyn Strauss said, 'You know, this is really, really good. Court of Appeals for the Ninth Circuit, proceeding on the assumption that this assertion was true, rejected her claim. In a copyright-infringement lawsuit, screenwriter Gwen O'Donnell asserted that she was the original source of the idea that later passed through Strauss to Ball the U.S. However, in an interview, he intimates that HBO entertainment president Carolyn Strauss proposed the idea to him. In one instance, Ball stated that he came up with the premise of the show after the deaths of his sister and father. Production Concept Īlthough overall plots and characters were created by Alan Ball, reports conflict on how the series was conceived. The show's creator Alan Ball said this represents the living characters' internal dialogues expressed in the form of external conversations. Sometimes, the characters converse with other deceased characters, most notably Nathaniel Fisher, Sr. The show also uses dark humor and surrealism throughout its seasons.Ī recurring plot device consists of a character having an imaginary conversation with the deceased for example, Nate, David, and Federico sometimes 'converse' with the deceased at the beginning of the episode, while the corpse is being embalmed, or during funeral planning or the funeral itself. That death usually sets the thematic tone for each episode, allowing the characters to reflect on their current fortunes and misfortunes in a way that is illuminated by the death and its aftermath. Each episode begins with a death, the cause of which ranges from heart attack to murder to accidental death or sudden infant death syndrome. At the same time, it is distinguished by its focus on the topic of death, which it explores on personal, religious, and philosophical levels. On one level, the show is a conventional family drama, dealing with such issues as interpersonal relationships, dysfunction, infidelity, personal growth, and religion. Other regulars include mortician and family friend Federico Diaz ( Freddy Rodriguez), Nate's on-again/off-again girlfriend Brenda Chenowith ( Rachel Griffiths), and David's long-term boyfriend Keith Charles ( Mathew St. The Fisher clan also includes widow Ruth Fisher ( Frances Conroy) and daughter Claire Fisher ( Lauren Ambrose). The show stars Peter Krause as Nate Fisher, whose funeral director father ( Richard Jenkins) dies and bequeaths ownership of Fisher & Sons Funeral Home to Nate and his other son David ( Michael C. See also: List of Six Feet Under episodes The series won numerous awards, including nine Emmy Awards, three Screen Actors Guild Awards, three Golden Globe Awards, and a Peabody Award. The show's finale has also been described as one of the greatest television series finales. It is regarded as one of the greatest television series of all time, included on best-of lists by Time, The Guardian, and Empire. Six Feet Under received widespread critical acclaim, particularly for its writing and acting, and consistently drew high ratings for the HBO network. It was produced by Actual Size Films and The Greenblatt/Janollari Studio, and was shot on location in Los Angeles and in Hollywood studios. Patrick, and Rachel Griffiths as the central characters. Hall, Frances Conroy, Lauren Ambrose, Freddy Rodriguez, Mathew St. The ensemble drama stars Peter Krause, Michael C. It depicts the lives of the Fisher family, who run a funeral home in Los Angeles, along with their friends and lovers. It premiered on the premium network HBO in the United States on June 3, 2001, and ended on August 21, 2005, spanning 63 episodes across five seasons. Six Feet Under is an American drama television series created and produced by Alan Ball.

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